Your MBA Goals Essay Get Ready, Get Set, THINK!

You’ll be applying to b-school this fall, aiming for the Round 1 deadlines. You may also be working full-time, juggling a few other responsibilities, and perhaps trying to hike up that GMAT score. What should you be doing now? Thinking about why you want to go to b-school, and for that, you’ll need to formulate your MBA goal. You really don’t have time to spare. Here’s what you need to do to identify and write about your MBA goal. Pre-application to-do: Define those goals! The first thing you need to do is to start defining your MBA goal – the more introspection you do before you write your MBA goals essay, the faster and smoother the actual writing of the essay will be later on. To begin, jot down possible specific roles and industries that you’d be able to discuss in an MBA goals essay. The challenge here is to think of goals that go beyond the obvious (or at least to think of an original way to express your less-than-original goals). For example, â€Å"I want to go into marketing† won’t cut it on its own, but if marketing is a passion and a goal of yours, then there are other ways to frame it without falling into the boring, generic trap, mainly through the use of details. Writing about your goals Here are some tips you should keep in mind when preparing for writing a compelling, extraordinary MBA goals essay: Distinguish between short-term, long-term, and intermediate goals. At each of these stages, what would your ideal position be? What type of company? And in what industry? These positions/companies/industries may change as you transition from the short-term to the long-term. Use specific examples of job titles and companies to further illustrate how much you’ve thought about your future. Continue to identify the details of the short- and long-term and the intermediate goals by thinking about what specific goals you’d like to accomplish during each of the phases. Don’t just talk about what you want to get out of an experience, but about the impact you want to have on the people that you encounter and the industry during that time. The details that surround your MBA goals are what will make your goals essay stand out from all the other future marketers in the stack. Details will make your essay interesting, credible, and individualized. Do your research so that your goals prove realistic. Look up hiring trends, services, organization, market status, products, competitive concerns, etc. at your desired companies. Now is the time to do all this research! Become familiar with the challenges of your chosen industry. Are there any current events that have affected your industry? You need to know the answer to this! Be prepared to discuss why you’re attracted to your target positions/industry. Most questions won’t specifically ask about your motivations for pursuing your particular goals, but keeping your motivations in mind while you write will help you present a more engaging story with a stronger message – ingredients that will further help your essay stand out. Introspection is key Following these steps during the pre-writing stage of your goals essay will help you formulate a clear, compelling, and original portrayal of what your goals are. It will also make the actual writing of the essay move more quickly and effortlessly. Use your time wisely and pace yourself – those applications will be due before you know it! Accepted’s expert advisors can assist you with this and any other element of your business school application. Explore our one-on-one MBA Admissions Consulting Editing Services for more information on how we can help you GET ACCEPTED. For 25 years, Accepted has helped business school applicants gain acceptance to top programs. Our outstanding team of MBA admissions consultants features former business school admissions directors and professional writers who have guided our clients to admission at top MBA, EMBA, and other graduate business programs worldwide including Harvard, Stanford, Wharton, Booth, INSEAD, London Business School, and many more.  Want an MBA admissions expert  to help you get Accepted? Click here to get in touch! Related Resources: †¢ Navigate the MBA Maze, a free admission guide †¢ The Reality of Unrealistic MBA Goals †¢ The Importance of Defining Your MBA Goal

Drugs And The Treatment Of Alcohol Withdrawal Syndrome Essay

Has anyone ever known an alcoholic? Perhaps someone you love such as a spouse, a family member, or a friend? Have you ever wished there was a magic pill that could cure Alcohol Use Disorder (AUD) and Alcohol Withdrawal Syndrome (AWS)? Researchers have discovered medications that could cure this disorder. In the article â€Å"Baclofen in the Treatment of Alcohol Withdrawal Syndrome: A Comparative Study vs Diazepam†, authors Giovanni Addolorato, MD, Lorenzo Leggio, MD, Ludovico Abenavoli, MD, Roberta Agabio, MD, Fabio Caputo, MD, Esmeralda Capristo, MD, Giancarlo Colombo, PhD, Gian Luigi Gessa, MD, and Giovanni Gasbarrini, MD discuss the benefits of using medication to aide in the side effects of AWS. Alcohol Use Disorder (AUD) is a debilitating disease that should be treated using the medications Baclofen or Diazepam because research has shown that both medications significantly reduce anxiety, tremors, shakes, and agitation which are symptoms of alcohol withdrawal sympto ms (AWS) (baclofen.org, 2006). AUD is a pattern of uncontrollable alcohol consumption. It causes a person’s life to be preoccupied with alcohol, and if not consumed, it causes AWS. It can range from mild to severe, but a mild case can escalate and lead to serious problems. It is important to treat even a mild case as early as possible (mayoclinic.org, 2015). Alcoholism affects vital organs in the human body such as the liver, the heart and the brain. 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The Columbian Exchange Of The New World - 1523 Words

During the establishment of the New World, blacks imported through the Columbian Exchange to North America arrived to fulfill the labor needs in the Southern colonies. As these servants became socially subordinate to their white plantation owners, racial divisions took shape in colonial society (New World Labor Systems). Legislative action taken to deprive black individuals of their rights and privileges arose in the 1660s in the Chesapeake colonies. The practice of slavery grew and prospered under the support of white, Southern plantation owners in the newly established United States. The questionable morality of slavery was questioned during the Civil War, which divided the United States into the Union and the Confederacy. Following its†¦show more content†¦This historic motion also evoked a greater motivation in African Americans for their pursuit to achieve racial integration on a national platform. The â€Å"separate but equal† ruling in the 1896 Supreme Court case of Plessy v. Ferguson extended into many facets of everyday life in America. This doctrine led to the passage of laws that separated blacks from whites and reinforced blacks’ social inferiority during this period. Educational buildings, restrooms, hotels and even hospitals all had separate facilities to accommodate the white and black races. This judicial outcome forced African Americans to face further racial oppression, while igniting new legal discrimination in their communities (Berman). African American families grappled with these circumstances, fully aware of the unjust and unequal treatment they now faced. However, change would come as Oliver Brown, an African American from Topeka, Kansas, sued the Topeka Board of Education in 1951. The public school building in Brown’s neighborhood barred his daughter because of her black skin color. Different from other school cases during this time, t he Brown case focused on the inequality of segregated education rather than just highlighting the poorer conditions of black schools. In preliminary hearings, NAACP had the Legal Defense Fund, or LDF, lawyers of Robert Carter and Jack Greenberg take on the case in Topeka. Despite

Decoding The Symbolism Used in A Worn Path by Eudora Welty

Today we will be talking about the different literary references used throughout Eudora Welty’s â€Å"A Worn Path†. I will explain and decode different techniques used by the author throughout her story. The story is of an old southern African American woman, named Phoenix Jackson, making her way into to town to pick up her grandsons medication from the doctor’s office. But this is no normal old woman. She cannot see and is picking her way with a cane to make her way across a barrage of obstacles. Throughout her journey she comes upon different characters and situations, from these events we will draw our interpretations of the symbolism embedded within the tale. The first thing I thought about after finishing the story was how routine†¦show more content†¦When she arrives at the doctors’ office she is greeted first by a grumpy front desk receptionist, then a nice nurse who is familiar when Phoenix approaches her. The nice nurse assures the front desk receptionist that Phoenix is there to pick up her grandsons medication. As she and the nurse chat, Phoenix’s old age starts to play a factor when she loses her train of thought while the nurse asks on the condition of the grandson. As phoenix walks into town, she asks a random woman on the street to tie her shoe. â€Å"Thank you missy. I doesn’t mind asking a nice lady to tie my shoe when I gets on the street†, (A Worn Path, 1280) this could be a continuation of the representation of the child-old woman analogy that I described earlier in the essay. As she finds her way into town, she finds her way to the doctor’s office, she then makes a conversati on with the nurse and tells her, â€Å"We is the only two left in the world. He suffers and it don’t seem to put him back at all. He got a sweet look. He going to last. He wear a little patch quilt and peep out holding his mouth open like a little bird. I remember so plain now. I not going to forget him again, no, the whole enduring time. I could tell him from all the others to creation† (A Worn Path, 1280). I saw this as a representation of how she felt alone in the world, and how she is going to

I Was A Little Nervous - 1155 Words

Part One (329 words): I was a little nervous about not only trying to perform the Stunning Spell, but also having this spell cast upon me, due to the fact that it renders it’s victim unconscious. I also did not expect the effect to be instantaneous. Once my partner was ready and stood surrounded by cushions, I raised my wand and brought it back down in a quick slashing motion, â€Å"Stupefy!†. As a flash of blue light left my wand towards my partner, she immediately fell backwards onto the cushions. I found it quite difficult to focus on making the spell effective as I did not want to cause her any permanent harm, however, I found that just thinking about her becoming still was enough to get the spell to work this time, although I know that†¦show more content†¦I barely thought about how it would affect him before his arms and legs immediately snapped to his sides and he fell face-first into the pile of cushions. I must admit that I did laugh a little when I saw the look of frustration in his eyes. Part Two (209 words): Now we moved onto practicing the counters. Seeing as we had all tried the spells, we decided it was only fair that we all practiced the counters as well. First, one of my partners performed the Stunning Spell to our other partner and allowed me to practice the counter. Once our partner was on the ground, I pointed my wand straight at her chest and said â€Å"Rennervate†. As the bright red light shot from my wand, I kept focusing on her waking up and sitting up. After a few seconds she did just that, which I was thankful for as my focus was starting to waver a little. When it came to the Full Body Bind Curse Counter, I volunteered to be the one that needed it. I tried to fight the curse as it hit me, but there was no way to and I was on the floor in seconds. Laying there I heard one of my partners say â€Å"Petrificus Removere† and I could see his wand move in a clockwise motion before the golden mist started to wrap itself around me. I could feel my muscles start to relax from my toes upwards through my whole body until I was eventually able to move and sit up. Extra Credit (605 words): Walking into Hogsmeade to start my Christmas shopping with a few friends we couldn’t help but notice a rather

Commes Des Garcons Brand free essay sample

The current paper discusses how and why a particular brand functions as a cultural resource and how companies benefit from this brand functioning as a cultural resource. The brand selected for the discussion is the Japanese fashion line Comme des Garcons. The paper is divided into two parts. The first part defines the concept of ‘cultural resource’ from the branding perspective and prepares ground for the argumentation by referring specifically to the readings from the course literature. The second part gives a short introduction of the brand Comme des Garcons and argues how and why it is a ‘cultural resource’ based on the course literature and the cultural landscape of the brand. A discussion on the benefits of the cultural branding of Comme des Garcons is included at the end of each subsection. Theoretical framework Brand Culture Brand researchers have argued for some time that there is a close link between brands and culture. Schroeder and Salzer-Morling (2006) maintain that brand has become increasingly important in the cultural setting and that contemporary brands are influenced by basic cultural processes such as ‘historical context, ethical concerns, and consumer response’ (p. 1). Schultz and Hatch (2006) state that corporate branding is the interconnection of image, vision as well as culture and identity. Balmer (2006) also claims that the fields of culture and branding ‘are inextricably linked’ because culture helps us to understand brands while through a powerful lens of brands we can comprehend cultures. Furthermore, Bengtsson nd Ostberg (2006) contend that a brand is a culturally constructed symbol, created by multiple ‘authors’ who fill it with symbolic content. Similarly, Uggla (2006) and Bergvall (2006) point out that brand creation is not an internal process, but rather an interaction with a network of multiple cultural levels. In his cultural branding model, Holt (2004) suggests that iconic brands functions like cultural activists, leading cultural changes and have ‘a cultural halo effect’, or a powerful myth that enhance the brand’s values (p. 10). The above brand researchers seem to suggest that brands and branding constantly appear in culture. As such, in looking at a brand as a cultural resource, it is required to look at the cultural landscape of that brand or how the brand engages culture and how culture envelops the brand. As suggested by Schroeder and Salzer-Morling (2006) in Brand Culture, this cultural resource/landscape of a brand includes brand identity, brand communities, contradictions and paradoxes of brands, branding ethics, multilevel brand interaction, brand meaning, marketing communications, etc. The following paragraphs will look at some of these aspects of brand landscape which deem suitable for the discussion of the chosen brand – Comme des Garcons. Brand Identity Kapferer characterizes brand identity as the brand’s ‘innermost substance’. There are several approaches to brand identity. A functionalistic perspective on identity suggests that the brand strategist should define brand identity and communicate this to consumers in order to evoke a brand image that is consistent with the brand’s identity. A number of scholars, however, criticize this conventional view on brand identity arguing that it fails to take into account consumers’ active negotiation of brand meaning. These researchers assert that the process of defining brand identity is not the task of the brand strategist, rather is co-produced with consumers and other stakeholders. Csaba and Bengtsson (2006) believe that brand identity must be understood in the broader context of social and cultural identity. Similarly, Castells characterizes identity as the process of construction of meaning based on a set of cultural attributes, including gender, race, ethnicity, sexual orientation, nationality, generation and age. Balmer (2006) provides a comprehensive list of different identity types that may be resent within corporate brands, for example, identity reflecting cultural values associated with nationality and lifestyle (Swedish safety of Volvo). It can be seen then that brand identity is co-constructed by many stakeholders and that it is embedded in the social, historical and cultural context. Thus, in defining the identity of Come des Garcons brand, it is important to consider these attributes of brand identity. Contradictions and paradoxes of brands A recent debate on brand management seems to suggest that cultural brands have the ability to instill a contradictory system of values. A key argument in Holt’s (2004) How Brands Become Icons is that brands become iconic because they perform a myth that addresses acute contradictions in the society. Brown et al. (2003) also claim that the paradoxical ‘soul’ of brands provides an opportunity for consumers to involve emotionally with the brands and thereby create the subtle connections that lead to loyalty. Drawing upon several well-known brands, Heilbrunn (2006) shows that strong brands promote an utopian model based on a series of inherent contradictions and paradoxes, which brands are able to reconcile through a narrative program. The contradictory principles, according to the author, coexist in any brand’s discourse. Schultz and Hatch (2006) also refer to four cultural paradoxes and argue that these paradoxes or contradictions may exist in all corporate brand management process and are necessary for maintaining a strong corporate brand. The above paragraph seems to suggest that contradictions or paradoxes are important for the brand building or enhancing process. The paper will examine if any contradiction exists in Comme des Garcons brand and if so, is it beneficial. Marketing Communications Brown (2006) argues that brands do not have emotional ownership of the brand, even though they have legal ownership. The reason is that brand cultures are co-created with consumers who often overlook or challenge the messages and meanings that managers try to convey. Also, we live in a world where consumers are wise to marketers’ tricks, and marketers, of course, are wise to that fact. This is reflected in recent anti-marketing marketing campaigns, e. g. Comme des Garcons’s anti-concept stores. However, according o Brown, in our marketing-savvy world, no-marketing is in fact ‘the ultimate form of marketing (2006: 56). In another provocative article Torment Your Customers, Brown (2001) advocates a philosophy of anti-customer orientation through the principles of retromarketing – exclusivity, secrecy, amplification, entertainment, and tricksterism. He even suggests that a way to successful marketing is to tantalize, torment, and torture customers. There is a rich array of topics on marketing communications, including advertising or branding alliances, etc. The focus here, however, is the way Comme des Garcons conducts its marketing communications in the over-commercialized world where it is more and more difficult to persuade consumers by a conventional marketing. Comme des Garcons About Comme des Garcons Comme des Garcons, French for like boys, is a Japanese fashion label. The label was started in Tokyo by Rei Kawakubo, head designer and sole owner, in 1969 and established as a company in Japan in 1973. Comme des Garcons became successful in Japan during the 1970s and a mens line was added in 1978. Comme des Garcons had a debut show in Paris in 1981 which created a storm of controversy for its predominant use of black and distressed fabrics. At present, Comme des Garcons has a dozen boutiques and approximately 200 vendors around the world, with flagship stores in Aoyama, Tokyos high fashion district, as well as Place Vendome in Paris. Each year, the company grosses in about $1. 50 million. What is the Identity behind Comme des Garcons? The literature review suggests that a brand identity can reflect a national culture. It means that the Japanese brand Comme des Garcons can carry some characteristics of the Japanese culture or Japanese identity. Indeed, the fashion press attempts to connect Kawakubo’s design closely with Japanese culture and describes Comme des Garcons as ‘stylistically anonymous, yet innovative in a way that has appealed to women across national boundaries’. But how Japanese is Comme des Garcons apart from the ‘Made in Japan’ label or the fact that it is designed by Kawakubo, a Japanese citizen living in Tokyo? The fashion world tends to search for the ‘Japaneseness’ in Comme des Garcons based on well-established stereotypes of Japan. As such, they look at Comme des Garcons garments and discuss it in relation to Japanese aesthetics, e. g. the austerity and somber colors of design (as defined in the Zen Buddhism), the preference for handmade goods (awaken by an appreciation for traditional crafts and an interest in the rural tradition), and the unexpected use of materials over the human body (considered to be the emphasis of Japanese fashion). On the other hand, the austerity of Comme des Garcons garments can be seen as a protest against the principles of high fashion in the 1980s. Also, tradition is not a trademark of Kawakubo’s design. Comme des Garcons outfits have largely been coupled with a cosmopolitan setting and worn by independent, working women. Finally, it is difficult to connect the cut of Comme des Garcons to Japanese costume history. So, it can be argued that Comme des Garcons garments does not hold any explicit references to either a particular culture or a specific historical situation. Kawakubo in fact tries to remove any recognizable connotations from her clothes, focusing on minimalist design and simple themes which carry no meaning. The above paragraph disputes the fact that Comme des Garcons is a carrier of Japanese identity. Still, the connotation with Japanese culture proves to be beneficial for the brand. First of all, the social and historical context in the early 1980s, when Comme des Garcons was launched at the international level in Paris, played a role. At the time, Japan was gaining influence on the world political stage as an increasingly economic superpower, challenging the global dominance of the West, and particularly the USA. International trend-setters then started to look to Japan for new styles for Western consumers. This was an important factor for Tokyo to be placed on the list of international fashion capitals. Moreover, Japanese designers can stir an interest in the media and make international hit with qualities apparently found in the actual designer garments, since quality is something closely related to Japan. What are the contradictions and paradoxes expressed by Comme des Garcons? The literature reviewed suggests that cultural brands can infuse a contradictory system of values. There are several paradoxes in Comme des Garcons brand. First and foremost, this paradox was expressed in Kawakubo’s readiness to challenge the conventions of high fashion. When she first showed her Comme des Garcons collections in Paris in 1981, fashion critics considered it to be an enormous provocation and called her ‘Hiroshima Chic’. The clothes looked like rags, covered rather than showed up the bodies, and were difficult to put on. The style was characterized by off-black oversized garments, asymmetrical cuts and crumpled fabrics and was described â€Å"as a slap in the face of the exclusive luxury† that high fashion ought to promote. Also, Kawakubo turned some of Western ideas of femininity upside-down. It is not the brand name she has selected ‘Like Boy’, simply because she liked the sound of it, rather the colors and the cuts of the outfits. For more than a century the division of black and white, on the one hand, and colors, on the other hand, framed the distinction of masculinity and femininity, until Kawakubo came in with her dark color collections for women. Baggy Comme des Garcons clothes were neither obvious for men nor for women, distorted rather than enhanced the female form and avoided exhibiting body as sexual. The paradoxes prove to be beneficial to Comme des Garcons brand. Before the first fashion show in Paris in 1981, Comme des Garcons had already existed in Tokyo for over ten years without getting any attention from the international press. Kawakubo made a breakthrough in Paris, at a time when her designs created a scandal of a kind that in international fashion is ‘half way to success’. Yes, despite the confusion and distaste experienced by the world of high fashion, Comme des Garcons became an unavoidable hit, as the result of its objection of high fashion’s underlying assumptions in relation to femininity and luxury. What is Cultural about Comme des Garcons’ Marketing Communications? Comme des Garcons was among the first famous designer brands to follow the guerrilla store concept. Guerrilla or anti-concept stores are temporary sales points open for a short period of time, generally between a few days to one year. They spend a minimal amount of resources on interior design and are often located away from mainstream fashion centres, yet they still look amazingly trendy. They also spend little on advertising which consists mainly of word of mouth. The venture may be seen as a protest against the aggressive commercialism and extravagant architecture of Prada flagship stores and the likes. Guerrilla stores also reflect the changes in the fashion marketing. Nowadays, young people are turning in different direction to look for a more authentic experience. Big brands mean less and less to them. They also prefer to take the cues from their friends than from established channels like fashion magazines and mass advertising. In this context, guerrilla store concept is an effective way to reach out to the target groups which tend to be relatively young and relatively well-educated people with an interest in design and aesthetics. Comme des Garcons’ marketing tactic is a smart business, allowing the company to test a new market at low risk, to channel avant-garde pieces from the runaway at low costs and to reduce inventory by selling off the clothes from past seasons. But the bigger benefit is that Comme des Garcons has devoted followers, a brand subculture, and this cult can only exist because the brand is somewhat apart from the mainstream fashion. Conclusion This paper has attempted to decode the identity, the contradictory system of values as well as the marketing tactics of the Comme des Garcons brand. The brand has enjoyed a number of benefits in acting as a cultural resource. However, it is worth noting that not all brand cultures benefit the company in ways that are tangible or financial. The world has experienced one of the worst financial crises ever, and even some of the iconic brands, such as Citibank and General Motors, have been on the edge of bankruptcy. This tells us that having an iconic status is not enough. Brand management is a complex process and perhaps a cultural branding model is a solution for building and advancing a brand.

Debut Albums and Higher Heart Rate free essay sample

You never feel more alive than when you are closest to death. But is it worth it? Is the stress-filled phenomenon that is adrenalin, coming straight from the adrenal glands traveling to the heart via significantly dilated blood vessels, stimulating a higher heart rate, while triggering a release of endorphins worth the risk? Worth the risk that will all capture us eventually but still cripples fully grown men to a riverbank of tears and a prison of hidden emotional pain? Maybe, maybe not This was it. My long arduous Journey was finally complete.Many had fallen victim to stress which in urn, made them succumb to the wily Jaws of defeat. But not l. Supported by my comrades, we marched in single file to receive our prize, our medal of honor. And who better to award my prize than my coach, my best friend, my brother. A professional in the art, the best of the best and here he was. We will write a custom essay sample on Debut Albums and Higher Heart Rate or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Here I am. I never thought it would happen but it did. My little brother, the nerdy kid at school who got beaten up all the time, the kid who got picked last for everything, passed the exams. Sure it took him four tries but he got there in the end. He talks so highly of himself now.I give a crummy, bite size certificate and he calls it a medal of honor. But If he wants to go skydiving then Im not one to stop him. As my comrades and I trekked to the airstrip in the middle of some fields, a certain calmness overcame me. The suns becoming light and heat blankets me and Mother Natures work. Clearly she had spent quite a bit of time here. Blood red tulips and roses embedded themselves to the ground, covered with the greenest of green blades. Massive oak trees standing tall and mighty waved their many leaf covered arms at me as the lightest breeze brushed my face as If to say howdy.A Rainbow decided to Just materialism to top It all off. By the time we get to the airstrip, the enthusiasm has seeped out of everyone except my brother. We put our equipment on, but guess who needs help with their parachute? Fitting on our equipment with ease, we clambered onto the plane to fulfill our destiny, a conquest not everyone has the chance to partake. Ears popping, short breathing, sweating and sweating. Maybe I shouldnt have done this. But the plane doors are already open. One by one my comrades take the leap of faith until Its Just my brother and l. And I JumpExcitement, bewilderment, terror, thrill, exhaustion, ecstasy. All this I felt for so long, yet for Just a split second. The experience Is Ineffable. The moment recedes Into your brain while you can still take In the moment. Its all so fast. You fireball and fireball and for a split second Im suspended In mid-air. Then Its Just amazing. Im a small butterfly dally landing onto the ground and l Walt. Somethings wrong. Someone keeps on falling and falling Too much pressure. Everything Is going too fast. I cant pull my parachute. My reserve Is Jammed. No matter how hard I pull, I cant open It.Its horrible knowing hat In a few seconds; my Inevitable doom will strike me down and take me for who I am. Fifty. 1 fat. Fifty. fat I see him several hundred feet below make contact with the ground again and again and again and again In the last two decades, no soul has troubled him. Rest In peace brother. Debut Albums and Higher Heart Rate By gerontologys now. I give a crummy, bite size certificate and he calls it a medal of honor. But if he brushed my face as if to say howdy. A Rainbow decided to Just materialism to top it until its Just my brother and l. And I Jump.. . Experience is ineffable.The moment recedes into your brain while you can still take in the moment. Its all so fast. You fireball and fireball and for a split second Im suspended in mid-air. Then its Just amazing. Im a small butterfly daintily landing onto the ground and l. .. Wait. Something wrong. Someone keeps on falling and falling Too much pressure. Everything is going too fast. I cant pull my parachute. My reserve is Jammed. No matter how hard I pull, I cant open it. Its horrible knowing that in a few seconds; my inevitable doom will strike me down and take me for who I decades, no soul has troubled him. Rest in peace brother.